BEVERLY HILLS, Calif. -- Shelley Winters, the forceful, outspoken star who graduated from blond bombshell parts to dramas, winning Academy Awards as supporting actress in ''The Diary of Anne Frank" and ''A Patch of Blue," died yesterday. She was 85.
Ms. Winters, who grew up in New York, died of heart failure at The Rehabilitation Centre of Beverly Hills, her publicist, Dale Olson, said. She had been hospitalized in October after having a heart attack.
The actress sustained her long career by repeatedly reinventing herself. Starting as a nightclub chorus girl, she advanced to supporting roles in New York plays, then became famous as a Hollywood sexpot. A devotee of the Actors Studio, she switched to more serious roles as she matured. Her Oscars were for her portrayal of mothers. Still working well into her 70s, she had a recurring role on the 1990s television show ''Roseanne."
''Shelley was idol of mine -- and many -- an extraordinary woman with powerful charisma, enormous talent and a keen, perceptive mind," said actress Connie Stevens, a longtime friend.
In 1959's ''The Diary of Anne Frank," she was Petronella Van Daan, mother of Peter Van Daan and one of eight real-life Jewish refugees in Holland during World War II who hid for more than a year in cramped quarters until they were betrayed and sent to Nazi death camps. The socially conscious Ms. Winters donated her Oscar statuette to the Anne Frank House in Amsterdam.
In 1965's ''Patch of Blue," she portrayed a hateful, foul-mouthed mother who tries to keep her blind daughter apart from the kind black man, played by Sidney Poitier, who has befriended her.
Ever vocal on social and political matters, Ms. Winters was a favored guest on television talk shows, and she demonstrated her frankness in two autobiographies: ''Shelley, Also Known as Shirley" (1980) and ''Shelley II: The Middle of My Century" (1989).
Ms. Winters wrote openly in them of her romances with Burt Lancaster, William Holden, Marlon Brando, Errol Flynn, Clark Gable, and other leading men. She also said after she came to Hollywood in the mid-1940s she was roommates with another rising starlet -- Marilyn Monroe.
''I've had it all," she exulted after her first book became a bestseller. ''I'm excited about the literary aspects of my career. My concentration is there now."
Typical of her personality, she also had a complaint about her literary fame: While reviewers treated her book as a serious human document, she said, talk show hosts Phil Donohue and Johnny Carson ''only want to know about my love affairs."
Ms. Winters, whose given name was Shirley Schrift, was appearing in the Broadway hit ''Rosalinda" when Columbia Pictures boss Harry Cohn offered her a screen test. A Columbia contact and a new name -- Shelley Winters -- followed, but all the good roles at the studio were going to Jean Arthur in those days.
Ms. Winters's early films included such light fare as ''Knickerbocker Holiday," ''Sailor's Holiday," ''Cover Girl," ''Tonight and Every Night," and ''Red River."
When her contract ended, Ms. Winters returned to New York as Ado Annie in ''Oklahoma!"
She would soon be called back and signed to a seven-year contract at Universal, where she was transformed into a blond bombshell. She vamped her way through a number of potboilers for the studio, including ''South Sea Sinner," with Liberace as her dance-hall pianist, and ''Frenchie," as wild saloon owner Frenchie Fontaine, out to avenge her father's murder.
The only hint of her future as an actress came in 1948's ''A Double Life" as a trashy waitress strangled by a Shakespearian actor, Ronald Colman. The role won Colman an Oscar.
''A Place in the Sun" in 1951 brought her first Oscar nomination and established her as a serious actress. She desperately sought the role of the pregnant factory girl drowned by Montgomery Clift so he could marry Elizabeth Taylor. The director, George Stevens, rejected her at first for being too sexy.
''So I scrubbed off all my makeup, pulled my hair back and sat next to him at the Hollywood Athletic Club without his even recognizing me because I looked so plain. That got me the part," she recalled in a 1962 interview.
Ms. Winters received her final Oscar nomination, for 1972's ''The Poseidon Adventure," in which she was one of a handful of passengers scrambling desperately to survive aboard an ocean liner turned upside down by a tidal wave. By then she had put on a good deal of weight, and after a scene in which her character must swim frantically she charmed audiences with the line: ''In the water I'm a very skinny lady."
Although she was in demand as a character actress, Ms. Winters continued to study her craft. She attended Charles Laughton's Shakespeare classes and worked at the Actors Studio, both as a student and teacher. She appeared on Broadway as the distraught wife of a drug addict in ''A Hatful of Rain" and as the Marx Brothers' mother in ''Minnie's Boys."
Among her other notable films: ''Night of the Hunter," ''Executive Suite," ''I Am a Camera," ''The Big Knife," ''Odds Against Tomorrow," ''The Young Savages," ''Lolita," ''The Chapman Report," ''The Greatest Story Ever Told," ''A House Is Not a Home," ''Alfie," ''Harper," ''Pete's Dragon," ''Stepping Out," and ''Over the Brooklyn Bridge."
During her 50 years as a widely known personality, Ms. Winters was rarely out of the news. Her stormy marriages, her romances with famous stars, her forays into politics and feminist causes kept her in the public eye. She delighted in giving provocative interviews and seemed to have an opinion on everything.
Shirley Schrift was born on Aug. 18, 1920. She appeared in high school plays in New York. Working as a chorus girl and garment district model helped finance her drama studies. She gained practical training by appearing in plays and musicals on the summer Borscht Circuit in the Catskill mountains.
During the Detroit run of a musical revue, she married businessman Paul ''Mack" Mayer on Jan. 1, 1942. He entered the Army Air Corps, and after the war, the pair found they had little in common. They divorced in 1948. Her second and third marriages were brief and tempestuous: to Vittorio Gassman (1952-1954) and Anthony Franciosa (1957-1960). A daughter, Vittoria, resulted from the marriage to Gassman.