|Aaron Wolff, 15, was living in Minneapolis last year when he went along with friends to a casting call for “A Serious Man.’’ He landed the role of Danny Gopnik. (Essdras M Suarez/Globe Staff)|
The kid in the halls
This weekend Aaron Wolff became the most famous student at Newton South
NEWTON - At first glance, Aaron Wolff’s bedroom screams teen: mound of dirty clothes, hefty history textbook, the collected Calvin and Hobbes. The full-page newspaper ad for “A Serious Man’’ taped to his wall? Not so much. But Wolff’s decorating quirk is understandable: The 15-year-old Newton South sophomore has a plum role in the new Coen brothers film, appearing as pot-smoking, Jefferson Starship-loving, “F-Troop’’-obsessed Danny Gopnik.
If you didn’t have a clue that a young thespian was lurking in your MetroWest midst, join the club. Wolff is no cheeky kid actor. Prior to filming “A Serious Man,’’ he’d had no professional acting experience. His resume read like any youngster’s who is capable of carrying a tune better than the next middle schooler: Michael Darling in “Peter Pan,’’ coroner and commander of the flying monkeys in “The Wizard of Oz,’’ Conrad Birdie in “Bye Bye Birdie.’’
But Wolff is - in the estimation of his casting director and costars and Newton South cohorts - a natural. Even to a reporter who spent all of an hour with him after school on a recent weekday, Wolff exudes aplomb, a level of comfort in his own skin that’s rare in general and even more unusual in a teenage boy. His parents call him an old soul. Still, staring down the camera for the first time, under the watch of elite Hollywood filmmakers, his only real qualification for the job being having made it through his bar mitzvah (he chanted his Torah portion in the movie), was nerve-racking. For about a minute.
“It was definitely intimidating at first, because you don’t know if what you’re doing is right,’’ Wolff says of his two months filming “A Serious Man.’’ “But the Coen brothers are really gentle people, actually, and really personable. You’ll try something one way, and they’ll say, ‘Hey, why don’t you try it this other way?’ And then they’ll say, ‘Yeah, I really like that.’ I had a really good connection with Joel. He was sort of like a father.’’
Wolff’s father, Hugh, is director of orchestras at the New England Conservatory of Music. His mother, Judy Kogan, is a harpist and writer, and Aaron, the youngest of three sons, is an award-winning cellist. Early last year, the family was living in Minneapolis - Hugh, the former music director of the St. Paul Chamber Orchestra, was globe-trotting as a guest conductor - and Judy stumbled across an ad in the Sunday newspaper for an open casting call.
“We’re from Minnesota,’’ Kogan says. “There’s Garrison Keillor, Prince, and the Coen brothers. I said, so, Aaron. There’s this movie being made by the Coen brothers, and they’re looking for a kid. And he said to me, ‘Who are the Coen brothers?’ ’’
Aaron wasn’t especially interested, but when he found out that many of his friends (along with almost every other Jewish boy between the ages of 11 and 14 in the Twin Cities) were going, he decided to go along for the ride. Six hundred of them showed up at the Jewish Community Center in St. Louis Park, the Minneapolis suburb where Joel and Ethan Coen grew up. Casting director Rachel Tenner called 200 back to read on-camera, and then whittled the field down to 20 to meet the filmmakers.
“They loved Aaron from the get-go,’’ Tenner says. “He’s very funny, and completely unflappable, but what’s really amazing about him is he has this innate confidence. He’s just effortless. A lot of kid actors become very rehearsed and precocious, and that’s just not the Coens’ world. Finding Aaron was like hitting the jackpot.’’
“The idea of going from nobody to somebody without anywhere in between, and seeing your face blown up on a big screen, and coming to a new school as this film kid, it was sort of scary,’’ he says. “The good thing is people will know you and think you’re really cool. The bad thing is people will only know you as being in the movie and not want to get to know you as a person. I almost backed out at one point.’’
In fact Wolff did have a rough start when he arrived last winter as a ninth-grader at Newton South, a big school where the freshmen had already formed their social circles and he didn’t know a soul. It took a few months to find his footing; in the spring he won the title role in the dark comedy “Women and Wallace.’’ Anya Whelan-Smith, a senior directing the play, had no idea who Wolff was when he auditioned for the part.
“I’d had other people in mind for the role, but when he walked on stage it was, ‘Wow.’ He was really relaxed, but in a way that held your attention,’’ says Whelan-Smith. “He never bragged about being in a Coen brothers film. When kids found out, it was just like a fun fact about Aaron.’’
Wolff sheepishly confesses that being in the student-directed one-act was “actually a more incredible experience than being in ‘A Serious Man.’ It was a lot more real than being in the movie. I hope to audition for the musical this year. It’s called ‘Sweet Charity.’ ’’
Now, with “A Serious Man’’ poised to splash his face in theaters around the country and the slightly surreal prospect of a future in film upon him, Wolff sums up his outlook: “I have no idea what to expect about anything.’’
It’s that sage perspective that inspired admiration in actor Michael Stuhlbarg, who stars in the film as Wolff’s father, Larry Gopnik.
“Aaron was a great example for all of us,’’ Stuhlbarg says. “I’m sure he’s very close to what Joel and Ethan were like when they were that old: a self-possessed, smart, simple, quirky, funny, genuine guy.’’
And, it bears remembering, a kid - a kid whose middle-school graduation speech was about the importance of slowing down. Aaron’s father says that whenever thoughts of agents and managers and the Hollywood machine cross his mind, he pushes them away.
“We all agreed this was a once-in-a-lifetime opportunity, something to tell the grandchildren about,’’ Hugh Wolff says. But if other offers of film work begin to come in, “then we go very, very slowly. You don’t sacrifice high school. You don’t sacrifice friends. You don’t sacrifice growing up. That’s nonnegotiable.’’
Joan Anderman can be reached at email@example.com.