THIS STORY HAS BEEN FORMATTED FOR EASY PRINTING

Feel like toasting the return of ‘Mad Men’? Here’s everything you need to celebrate in style.

Ann-Margret in “Bye Bye Birdie.’’ Ann-Margret in “Bye Bye Birdie.’’
By Christopher Muther
Globe Staff / July 15, 2010

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THE FILMS

Sure, you could show old episodes of “Mad Men’’ before the show starts. But that would fall about as flat as Peggy Olson’s bangs in season one. “Mad Men’’ has made many mentions of films from the 1960s (and earlier). Keep these on mute in the background to set the mood leading up to the big debut.

“How to Succeed in Business Without Even Trying’’ The film is not referenced in the show, but actor Robert Morse, who plays Bert Cooper, won a Tony for his Broadway performance in “How to Succeed,’’ and also starred in the 1967 film adaptation.

“Bye Bye Birdie’’ Ann-Margret’s performance in the opening credits can’t hold a candle to Sal Romano’s inspired bedtime interpretation. Buy some Patio soda bottles on eBay and fill with Tab while watching for optimal enjoyment.

“Singing in the Rain’’ When Betty Draper is depressed, she either kicks back with a vodka gimlet and a Benzoid, or she goes to see this. This is the film she watches after the Kennedy assassination in season three.

“La Notte’’ While Betty prefers Technicolor musicals, Don is much happier at moody foreign fare. He smokes up a storm during the film, then tells mistress Bobby Barrett how much he likes foreign movies.

“The Apartment’’ In an interview with the Wall Street Journal, series creator Matthew Weiner mentions that this is recommended viewing for the show’s writers and actors. It stars Jack Lemmon as an insurance man, but its randy, cheating vice presidents could very well be Sterling Cooper executives.

THE FURNISHINGS

“Mad Men’’ set decorator Amy Wells (she was also responsible for the interiors of Tom Ford’s film “A Single Man’’) scours the vintage stores near Los Angeles to re-create the look of the early 1960s. She told Interior Design magazine that, “A lot of people had Danish modern at the time because it was reasonably priced, and much of it still exists because it was so well made.’’

There are stores in the Boston area that sell mid-century pieces, although you should be prepared for a bit of sticker shock depending on where you shop. Machine Age (645 Summer St., Boston, 617-464-0099) stocks original pieces from Eames and Le Corbusier in pristine condition — which means you’ll pay for quality. Reside (266 Concord Ave., Cambridge, 617-547-2929) is filled with the kind of amazing mid-century pieces you might see in Pete and Trudy Campbell’s new apartment, and ModHaus (by appointment only, www.modhaus.com) sells everything from the curtains you might see hanging in Peggy Olson’s apartment to lamps to gorgeous teak sideboards.

THE WARDROBE

July may not be the most inviting month of the year for donning gray wool suits and abdomen-crushing pencil skirts, but to ensure accuracy at your party, enforce a dress code. Would Pete and Trudy ever dream of hosting a cocktail party for guests attired in (gasp) blue jeans? Juliana Cairone, owner of the ultra-posh Manhattan secondhand shop Rare Vintage, says her store has been inundated with requests for “Mad Men’’ ensembles in recent weeks in anticipation of viewing parties.

“1964 fashion was about to experience the youthquake of designers like Courreges, who was one of the first to really start shortening his skirts,’’ she says. “Givenchy was another designer who represents the early ’60s. . . . Evening or cocktail could be a one shoulder dress in joyful shades of buttercup yellow, bright pink, or turquoise with streamlined beaded embellishments or a plume of feathers.’’

For men, she says, pocket squares are essential for suits, as are crisp shirts and narrow ties. As a prop, she advises carrying a gold cigarette case — for Lucky Strikes, of course. For both sexes, you can find vintage outfits locally at Artifaktori (22A College Ave., Somerville, 617-776-3708), Bobby From Boston (19 Thayer St., Boston, 617-423-9299), Poor Little Rich Girl (three locations, www.shoppoorlittlerichgirl.com) and the Garment District (200 Broadway, Cambridge, 617-876-5230).

THE HAIR

Stylists assure that those elaborate 1960s coiffures look more challenging than they actually are. Stylist George Amaral from Salon Mario Russo says one of the easiest things that women can do to duplicate it is to pin their hair up.

“It doesn’t have to be a French twist or a chignon,’’ Amaral says. “It can easily be done by someone showing them how to do it. If you can learn how to get the back pinned up, the rest is easy.’’

Hair guru Philip Pelusi, who owns a national chain of hair salons, is seeing a resurgence of 1960s hair, and if anyone can identify the return, it’s him. He started working with hair in 1965. For men, he says the trick to achieving “Mad Men’’ style is letting the top of the hair grow out, while keep the sides and the back short. Slick back the top with pomade or wax, but stay away from hair gel, which will look too stiff.

As for women, Pelusi says, “the trick is that you want to let the hair dry naturally, and the use a little styling product and electric rollers or a curling iron. Don’t spend 25 minutes blowing your hair straight with a curling iron.’’

For purists who are looking to replicate the full Betty Draper experience, celebrity stylist Riccardo Maggiore offers this guide to achieving Betty’s up-do from last season’s Rome episode — perfect for a party.

“Start by shampooing hair thoroughly and avoid heavy product that will weigh it down,’’ Maggiore says. “Set hair with medium-size rollers and sit under dryer. Once hair is thoroughly dry, remove rollers and brush out the hair. Next, slightly tease the hair to create volume. Split hair into two sections by gathering hair just behind the ear and pulling together into a pony in the middle of your head and secure with a clip. Work with the back section first to create a French twist; secure with pins, but leave the ends out. Take the front piece (leaving some hair out for the wave in the front) and combine with the remaining hair from the back section to create a bump-front look. Brush the last section slightly across forehead, apply a holding spray and secure with a hair clip.’’