Jacksons + reality doesn’t compute
I generally have a hard time believing anything that any of the Jacksons say. No, I’m not suggesting they’re out-and-out liars. It’s just that their lives have been so thoroughly distorted by media overexposure, they’re always straining to counter public perception, or to feed the tabloid ticker. And their comments are so sopped with grandiose warm-and-fuzzies about love for the fans and love for one another, they generally seem more disingenuous than honest.
A&E’s six-hour reality series “The Jack5ons: A Family Dynasty’’ did not change my mind. “I basically just want the cameras to roll and see who the brothers are,’’ Tito says. But this family portrait clearly has hidden motivations, spin control, and commercial agendas lurking in the shadows. Indeed, the reality TV genre suits the Jacksons well - Jackie, Tito, Marlon, and Jermaine can appear “real,’’ and yet stage the shots and situations to their advantage. They can reveal tears and petty conflicts to keep us entertained, but resolve them all nobly and with brotherly solidarity.
The premise of the series, before Michael Jackson died on June 25, was to chronicle the 40th anniversary reunion of the Jackson 5. The better part of tonight’s first hour is set in the months before Michael’s death, and we see Tito, Jermaine, Jackie, and Marlon convening to talk about making music again. Amid the affectionate bickering, a birthday call to sister Janet, and a dance class, there’s no mention of Michael’s participation, and that question is negated when Michael dies. Lest we think that the surviving brothers are now trying to cash in after Michael’s death, the second hour gives us a scene of their lawyer telling them they are obligated by contract to perform together. They’re still doing this because they have to, you see.
Jermaine has taken it upon himself to be the show’s drama queen. In one sequence, he recalls his break from the Jackson 5 in the mid-1970s, saying his decision to stay at Motown when the others went to
A few uncomplimentary asides are made about Joe Jackson, the patriarch whom Michael accused of abuse. But Tito makes a prominent apology for his father. “He did things the way he knew how,’’ he says, “and everything that he did do, especially for his family, turned out to be a success, so how wrong can it be.’’
Tito also plays press manager for other family members toward the end of the second hour, when he takes us on a detour to meet his three sons, a band called 3T. We see 3T trying to record an album but feeling paralyzed by the loss of their Uncle Michael. They’re desperately hoping the world will still be interested in them, just like the rest of the Jackson family.