Sometimes, OK 99 percent of the time, what we think we should do and what we actually want to do don't match up.
"I should watch this intellectually stimulating Godard film at the top of my Netflix queue, but I think I'll move up this goofy Will Ferrell movie instead."
"I should make myself a healthy tofu and veggie stir fry, but I'd rather just order a pizza."
It's the same with theater. There are so many classics to see -- Shakespeare, Chekhov, O'Neill -- but at the end of a long day, a silly comedy often sounds way more appealing.
So it makes me really happy when I can do both at once. Ryan Landry and his Gold Dust Orphans are putting on the Greek tragedy "Medea," Euripides' dark, bloody tale of a woman who murders her children to get back at her husband. Pretty intense, right? But presented Gold Dust style -- in drag, heavy on the camp and the one-liners -- it's much easier to take.
The beauty of it is, you still get the whole fascinating story, smartly told, you just get it with exploding eyeballs and glittery lip gloss and appendages tucked between legs. And when all the twisty, turny language is stripped away, the plot is easier to understand. A friend who saw Fiona Shaw as Medea on Broadway said Landry's version was much clearer, and definitely produced more belly laughs.
You have to hand it to Landry -- it's tough to make filicide funny, and even tougher to turn something you should see into something you want to.
The production is at Machine Thursdays-Saturdays through March 15. Get tickets here.
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