Night two brought even more folks to 6th St. as lines got a little longer, the texting a little more frenzied, and the drunken teetering more disturbing. Subsequently, the volume rose exponentially. (Or maybe that was just the grindcore tent that felt a little like an aerial assault every time Sound Effects walked by.)
In addition to the SXSW crowd, plenty of Austin locals have come out to gawk at the mohawks, fauxhawks, and no-hawks invading their stomping grounds. Lots of them are women in very short skirts and very high heels. Sound Effects is amazed we haven't seen a single broken ankle yet.
The smooch factor also seemed high as there was much hand-holding, waist-grasping,piggy-backing, and other PDA going on. Music is the food of love after all.
Among the acts we caught in our travels:
Tim Fite is one nutty customer.At Cedar St. Courtyard an elbow-to-elbow crowd of all ages, sizes, and haircuts followed along with his child-like homemade videos, stomped to his looped beats, and sang along to his quirky, non sequitur rock.
Our favorite scene of the night: two dudes busking, literally, while checking into the Hilton at 10 pm. All the world's a stage.
About Sound Effects
ContributorsSarah Rodman is a staff music critic for the Boston Globe.
James Reed is a staff music critic for the Boston Globe.
Jonathan Perry is the Globe's Scene & Heard columnist, covering local music.
Michael Brodeur is the assistant arts editor for the Boston Globe, covering pop music, TV, and nightlife.
Julian Benbow is a staff writer at the Boston Globe, covering sports and music.
Katie McLeod is Boston.com's features editor.
Rachel Raczka is a producer for Lifestyle and Arts & Entertainment at Boston.com.
Emily Wright is an Arts & Entertainment producer at Boston.com.