Overcast morning skies give way to a sunshine-y and bright blue afternoon as the music-hungry hordes return to the streets. (8 a.m. in Austin during SXSW is eerily quiet).
Daytime showcases have bass and beats spilling out of every doorway, tent flap and open window. Plus the sidewalks are teeming with buskers - from the obligatory acoustic troubadours to one lone, disheveled trumpeter. The jeans are skinny, the hair artfully sculpted and the prevailing look is bleary-eyed but determined.
Singer Laura Dawn has got some big pipes and Moby switches it up between rhythm guitar and thumping bass. The folks originally lured in by free quesadillas crowd the stage, most unaware that Moby was going to be playing, and seem to approve of the heavy-ish blues-bent rock and roll.
About Sound Effects
ContributorsSarah Rodman is a staff music critic for the Boston Globe.
James Reed is a staff music critic for the Boston Globe.
Jonathan Perry is the Globe's Scene & Heard columnist, covering local music.
Michael Brodeur is the assistant arts editor for the Boston Globe, covering pop music, TV, and nightlife.
Julian Benbow is a staff writer at the Boston Globe, covering sports and music.
Katie McLeod is Boston.com's features editor.
Rachel Raczka is a producer for Lifestyle and Arts & Entertainment at Boston.com.
Emily Wright is an Arts & Entertainment producer at Boston.com.