|Iran objects to Marjane Satrapi's animated autobiographical movie. (Virginia Mayo/AP)|
'Persepolis' causes a stir
CANNES, France -- Iranian film director and comic writer Marjane Satrapi sought to play down Iranian protests over her animated movie "Persepolis" yesterday, asking audiences to focus on its humanity, not its politics.
The movie, based on Satrapi's popular French comic books telling of her growing up and being repressed under Islamic rule, drew a letter of protest earlier this week from the government-affiliated Iran Farabi Foundation.
It complained to France for including "Persepolis" in the Cannes Film Festival's main competition.
"I think (audiences) should look at the human side of the film," Satrapi, 37, told reporters at a press conference.
She declined to comment directly about the protest, but did say she accepted any criticism because doing so was a part of living in a culture where she could express her views openly.
"I believe in freedom of expression and freedom of speech," she said. "I simply accept that as part of the exposure."
The film follows Satrapi as a little girl as she watches the fall of the Shah, who was backed by western countries, principally the United States. She and her family believe that with the Shah gone, state repression will end, but it only becomes worse in "Persepolis."
When Satrapi rebels during the period of the Iran/Iraq war, she is sent to live in Austria. When she returns to Iran for a time, things are better, but eventually she finds her female individuality so stifled she flees to France.
Throughout the movie, Satrapi's personality is shaped by war, government duplicity , and male cultural domination. Iran's rulers are criticized in "Persepolis" but so are western democracies for backing the Shah and supplying weapons of war.
In fact, the main goal of "Persepolis" is simply to tell of a girl's coming-of-age in a highly volatile society. The movie tells of a person retaining their integrity, and not expressing political opinions, the movie's producers said.
Satrapi and co-director Vincent Paronnaud use a whimsical style of animation and much humor, adding a light touch to what could have been a dark drama, the film's stars said.